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2009 NCKTPA commentary performances - Meet The Maestro Series
Three Figures who won fame in the field of gugak! Gugak legends come back! Fall 2009, a new series of NCKTPA commentary performances
Han Sungjun - Master of Dance
(1874 ~ 1942)
Han Sungjun, who overwhelmed an age as a famous gosu (drummer) and dancer His movements wrote a chapter in the history of Korean dance, and his enthusiasm created the future of Korean dance. Let''s feel Seong-jun Han''s love for dance through the sharp questions of lawyer Jiwon Kang and the commentary by Haeri Choi.
INFORMATION
- Date :
- 2009. 9월 20 오후 3:00
- Location :
- Yeakdang, NCKTPA
- Price of admission :
- A seat 20,000Won B seat 10,000Won
- Hosting :
- NCKTPA Support: Gugak Broadcast Service, KTV
- Invitees :
- Jiwon Kang (lawyer)
- Commentary :
- Hae-ri Choi (operating committee member of Korean Dance Cultural Archive)
- Information :
- 02-580-3300~3, 3333(ARS) / www.gugak.go.kr
PROGRAM
Seungmu - Buddhist dance
Seungmu, which has been designated as Important Intangible Cultural Asset No. 27, is a representative Korean folk dance. Originating from the dances of monks at temples, it has been transformed by professional dancers into a unique dance with an artistic form. It is rated to have higher artistic than any other folk dance, and Seong-jun Han has completed it as performance work.
Hakchum - Harmony of natural beauty and artistry
Hakchum (crane dance) is a dance in which the dancer puts on a mask of a crane and dances to glorify the king, and was performed at court ceremonies since Goryeo dynasty (918-1392). Hak (crane) is a welcome bird that was considered a symbol of longevity, and Hakchum was performed at court banquets or narye ceremonies to expel demons.
Taepyeongmu - dance wishing for a reign of prosperity
Taepyeonmu, which is the dance that Seong-jun Han loved the most, is a newly created dance that means that "the queen or king is dancing personally to wish for the happiness of Royal family and a reign of prosperity". Although it was created considering a queen at court, it is regarded as a folk dance, not a court dance. It is a cheerful dance with rural tones from Gyeonggi dance music and the rhythm of jing in 10 beats.
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